Wednesday, 28 August 2013

August 15th - The Assumption


Gaudeamus omnes in Domino , diem festum celebrantes sub honore beate Mariae Virginis: de cujus Assumptione gaudent Angeli et collaudant Filium Dei. (Introit)

The feast of the Assumption is a double feast with an Octave. The liturgical colour of the feast, and Octave, is white.

At Mattins the invitatory, Venite, adoremus Regem regum, Cujus hodie ad aethereum Virgo Mater assumpta est in caelum, is proper to the feast. The Office hymn is Quem terra, pontus. In the first nocturn the antiphons Exaltata est etc are sung with psalms 8, 18 & 23. The lessons in the first nocturn are taken from the Incipiunt of the Canticle of Canticles. These are the same as those found in the modern (pre-1950) editons of Breviary. In the second nocturn the antiphons Specie tua etc are sung with psalms 44, 45 & 86. The lessons are from a sermon of St. Athanasius. In the third nocturn the antiphons Gaude, Maria virgo etc are sung with psalms 95, 96 & 97. The homily on St. Luke's Gospel is from St. Augustine's 27th Sermon on the Words of the Lord. The Te Deum is sung.

At Lauds the antiphons Assumpta est Maria etc are sung with psalms 92, 99, 62-66, Benedicite and 148-149-150. The Office hymn is O gloriosa Domina.

At Prime and the Hours the hymns are sung with the proper Doxology and tone, Gloria tibi Domine etc. In the short responsory at Prime Qui natus es de Virgine is sung, both today and throughout the Octave, and the lectio brevis is In plateis.

Mass is celebrated after Terce. The Mass formulary, Gaudeamus, is a particularly beautiful set of texts. The Gloria is sung. The Epistle is a sublime cento from the Book of Wisdom that also forms the chapters at the Office. The gradual Propter veritatem is very ancient. The Credo is sung , the preface that of the BVM and the last Gospel of the Sunday.

In the afternoon at second Vespers all is as at first Vespers except the antiphon on the Magnificat which today is Hodie Maria Virgo caelos ascendit: gaudete, quia cum Christo regnat in aeternum.


Icon: The Dormition by Theophanus the Greek, 14th century.a

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