April 18th - Dominica Resurrectionis - Pascha

The Sunday of the Resurrection is the Queen of Feasts and the most important of all liturgical celebrations. The Sunday is of double rite.

During the evening of Holy Saturday Compline is sung, at the normal time. On Holy Saturday the Office of Compline has some interesting variations. Compline begins with the usual Jube, domne, blessing, short lesson and confession. Converte nos, Deus, salutaris noster and its response are sung followed by Deus in adjutorium etc with Alleluia for the first time since Septuagesima. The psalms are sung, without an antiphon, to the usual Tone 8. The hymn, chapter and responsory are omitted and Vespere autem sabbati sung as a fragment antiphon to the Nunc dimittis. After the Canticle the antiphon is sung in full. After the usual collect, Visita quaesumus, the antiphon Regina Caeli is sung with its versicle and collect.

The church is decorated for the greatest of feasts. Before Mattins the images that have been veiled from Passiontide (or from the beginning of Lent where Array was used) are removed. Six candlesticks are on the altar. Mattins begin with the solemn tone for Deus in adjutorium etc. The invitatory is Surrexit Dominus vere Alleluia and psalm 94 is sung to a lovely tone 6 setting. Mattins consists of a single nocturn of three psalms. There is no Office Hymn throughout the Octave (c.f. Monastic praxis). The first antiphon is Ego sum qui sum etc and sung with psalm 1. The second antiphon, Postulavi Patrem meum etc, is sung with psalm 2. The third antiphon, Ego dormivi etc, is sung with psalm 3. A versicle and its response are sung followed by the absolution Exaudi etc. The first lesson has the Gospel fragment Mark 16: 1-7 and is followed by a homily of St. Gregory the Great. The two responsories Angelus Domini descendit and Cum transisset sabbatum are famous and intimately connected with the Quem quaeritis ceremonies and indeed the development of Western drama (vide the excellent book: Hardison, O.B., 'Christian Rite and Christian Drama in the Middle Ages', The John Hopkins Press, Baltimore, 1965). The second lesson, Notandum vero nobis est is sung followed by the second responsory. The lessons are identical to those found in the later editions. During the second responsory the cantors and the celebrant don copes the principal one pre-intones the Te Deum. Six pluvialistae assist the Hebdomadarius where possible. The Te Deum is then sung and, where it is the custom the bells ring throughout.

Lauds follow immediately and have a series of beautiful antiphons: Angelus autem Domini, Et ecce terraemotus, Erat autem, Prae timore autem ejus and Respondens autem Angelus all taking up the theme of the Angels, earthquake and empty tomb. Psalms 92, 99, 62-66, Benedicite & 148-149-150 are sung with these antiphons. The chapter, hymn, versicle and response are replaced by the Haec dies. After Haec dies the antiphon Et valde mane is sung and then the Benedictus sung to a solemn tone 8. During the Benedictus the altar, the choir and people are censed in the normal manner. The antiphon is repeated and the collect of Easter, Deus, qui hodierna die sung. Benedicamus Domino, Alleluia, Alleluia and its response are followed by the solemn Regina Caeli, its versicle and collect.

At Prime and the Hours the usual festal psalms are sung but without antiphons. Haec dies replaces the chapter, responsories etc. At Prime the Martyrology is read again, having not been read for the days of the Triduum. Before the announcement of the following day and moon "Hac die quam fecit Dominus, Solemnitas solemnitatum, et Pascha nostrum Resurrectio Salvatoris nostri Jesu Christi secundum carnem" is sung to the tone of the Passion.

Mass is sung after Terce. Vidi aquam replaces the Asperges during Paschaltide. At Mass the Gloria is sung, the Creed is sung, the preface, communicantes and Hanc igitur are proper. Ite, missa est with a double Alleluia is the dismissal.

At Vespers the anitphons Angelus autem Domini etc are sung with psalms 109, 110, 111, 112 and 113. Again Haec dies replaces the chapter and hymn. The antiphon on the Magnificat is Et respicientes etc. At Compline the usual psalms are sung with a triple Alleluia after them. The the Nunc dimittis is sung followed by Haec dies and the collect Visita quaesumus.