Sunday, 29 April 2012
The Second Sunday after Pascha is of semi-double rite and its liturgical colour is white.
At Vespers yesterday afternoon the psalms of Vespers for Saturday (Pss. 143, 144, 145, 146 & 147) were sung under the single antiphon, Alleluia. The chapter, Carissimi: Christus passus est pro nobis etc, was proper to the Sunday, the Office hymn was Ad coenam Agni providi and the antiphon on the Magnificat was Ego sum pastor ovium. After the collect of the Sunday the Commemoration of the Cross was sung. At Vespers this consists of the antiphon Crucem santam subiit qui infernum confregit, accinctus est potentia, surrexit die teria, Alleluia. the V & R, Dicite in nationibus, Alleluia and Quia Dominus regnavit a ligno, Alleluia and the collect Deus, qui pro nobis Filium tuum crucis patibulum. The Commemoration of the Cross is sung at both Vespers and Lauds when the Office if of semi-double rite or below from the Monday after Dominica in Albis. At Compline (Pss. 4, 30 vv 1-6, 90 & 133) Te lucis was sung to the Paschal tone with the Doxology Gloria tibi Domine etc and the Dominical preces were sung.
At Mattins the invitatory and hymn are sung as last Sunday. Again, at the nocturns the psalms are sung under a single antiphon. In the first nocturn (Pss. 1, 2, 3, 6, 7, 8, 9, 10, 11, 12, 13 & 14) the lessons are from the Acts of the Apostles. The first lesson is the same as in modern recensions. The second lesson begins Et exinde but continues Viri fratres...a Pilato , ut interficerent eum. The third lesson begins Cumque consummasssent omnia and continues for several additional verse ending with Quem vero Deus suscitavit a mortuis, non vidit corruptionem. In the second nocturn (Pss. 15, 16 & 17) the lessons are taken from the first sermon on the Ascension of the Lord by St. Leo. These are the same as in the later editions. In the third nocturn (Pss. 18, 19 & 20) the homily is from St. Gregory, again the same as in the post-Clementine editions.
At Lauds psalms 92, 99 & 62-66 are sung under the nine-fold Alleluia. Benedicite is sung under the antiphon Surrexit Christus and psalms 148-49-150 are sung under the antiphon Alleluia. The Office hymn is Aurora lucis rutilat. The Commemoration of the Cross is sung after the collect of the Sunday. The antiphon for the Commemoration at Lauds is Crucifixus surrexit a mortuis, et redemit nos, alleluia, alleluia. The V & R and collect are the same as those that are sung at Vespers.
At the Hours the hymns have the Paschal Doxology. The psalms are sung under an antiphon consisting of a four-fold Alleluia. At Prime (Pss. 53, 118i, 118ii) both Quicumque and the Dominical preces are sung.
Mass is sung after Terce. The Gloria is sung, the second collect is Concede nos, the third collect is Ecclesiae. The Creed is sung and the preface is that of Paschaltide.
Vespers are of the Sunday, with the psalms (Pss. 109, 110, 111, 112 & 113) sung under a single antiphon. After the collect of the day a commemoration is sung of the following feast of St. Anicetus. Following this commemoration the Commmemoration of the Cross is sung with the antiphon as noted above. At Compline (Pss. 4, 30 vv 1-6, 90 & 133) the Dominical preces are sung.
Art: Jerome Nadal
Sunday, 22 April 2012
Dominica in Albis or Low Sunday is of double rite. The Gospel at Mattins and Mass is the account of the LORD appearing in to His disciples behind the shut doors of the room and the doubting of St. Thomas.
At Vespers yesterday the psalms of Saturday (Pss. 143, 144, 145, 146 & 147) were sung under the single antiphon, Alleluia. Chapters and hymns returned to the Office. The Paschaltide hymn Ad cenam Agni providi was sung. Its Doxology is sung at all hymns of Iambic metre: Gloria tibi Domine, Qui surrexisti a mortuis, Cum Patre et Sancto Spiritu, In sempiterna saecula. From this Office the dismissal, Benedicamus Domino, is sung without the double Alleluia that had been sung since Pascha.
At Mattins the invitatory Surrexit Dominus vere Alleluia continues to be sung. The Office hymn is O Rex aeterne Domine. In the first nocturn psalms 1, 2, 3, 6, 7, 8, 9, 10, 11, 12, 13 & 14 are sung under a single antiphon Alleluia, Lapis revolutus etc. The lessons in the first nocturn are from the Epistle of St. Paul to the Colossians; the first begins Igitur si consurrexistis otherwise it and the other two first nocturn lessons are same as in modern editions. In the second nocturn psalms 15, 16 & 17 are sung under the single antiphon Alleluia, quem quaeris mulier etc. The lessons are from a sermon of St. Augustine and are the same as in the modern editions. In the third nocturn psalms 18, 19 & 20 are sung under the single antiphon Alleluia, noli flere Maria etc. The homily is from the writings of St. Gregory on St. John's Gospel and the same same as in modern editions except they are missing the words 'Dixit eis' at the beginning of the ninth lesson. The Te Deum is sung.
At Lauds the Sunday psalms (Pss. 92, 99, 62-66, Benedicite, 148, 149 & 150) are sung under a single antiphon, a nine-fold Alleluia - an ancient feature of the Roman rite destroyed in the 1911-13 reform. The Office hymn is Aurora lucis rutilat.
At Prime the Dominical psalms 53, 118(i), 118(ii) and Quicumque are sung under the antiphon Alleluia. At the other Little Hours Alleluia is also sung as the antiphon, the hymns have the Paschal Doxology.
Mass is sung after Terce. Before Mass the antiphon Vidi aquam is sung during the aspersion. At Mass the Gloria is sung, there is a single collect. The Creed is sung and the preface is of Paschatide.
At Vespers the Sunday psalms are sung under the single antiphon Alleluia. The Office hymn is Ad cenam Agni providi. There is a single collect. At Compline the Dominical preces are omitted.
Sunday, 15 April 2012
The Sunday of the Resurrection is the Queen of Feasts, the most important of all liturgical celebrations. The Sunday is of double rite.
Before Mattins the images that have been veiled from Passiontide (or from the beginning of Lent where Array was used) are removed. At Mattins the invitatory is the triumphal proclamation of the Resurrection, Surrexit Dominus vere, Alleluia. There is no Office hymn at any of the Hours until Vespers on the following Saturday afternoon. Mattins has a single nocturn consisting of three psalms (Pss. 1, 2 & 3) and three lessons. The lessons are taken from a homily by St. Gregory on St. Mark's Gospel. The lessons are the same as those found in the modern editions. The Te Deum is sung after the third lesson.
At Lauds the antiphons Angelus autem Domini etc are sung with the usual festal psalms (Pss. 92, 99, 62-66, Benedicite & 148-149-150). After the last antiphon has been repeated Haec dies is sung in place of the chapter and hymn. The antiphon on the Benedictus is Et valde mane etc. Benedicamus Domino with a double Alleluia and its response are sung at both Lauds and Vespers of the Octave.
At Prime and the Hours the usual festal psalms are sung but without antiphons. Haec dies replaces the chapter, responsories etc. At Prime the Martyrology is read again, having not been read for the days of the Triduum. Before the announcement of the following day and moon is sung "Hac die quam fecit Dominus, Solemnitas solemnitatum, et Pascha nostrum Resurrectio Salvatoris nostri Jesu Christi secundum carnem" to the tone of the Passion.
Mass is sung after Terce. Vidi aquam replaces the Asperges during Paschaltide. At Mass the Gloria is sung, the Creed is sung, the preface, communicantes and Hanc igitur are proper. Ite, missa est with a double Alleluia is the dismissal.
At Vespers the anitphons Angelus autem Domini etc are sung with psalms 109, 110, 111, 112 and 113. Again Haec dies replaces the chapter and hymn. The antiphon on the Magnificat is Et respicientes etc. At Compline the usual psalms are sung with a triple Alleluia after them. The the Nunc dimittis is sung followed by Haec dies and the collect Visita quaesumus.
Friday, 13 April 2012
Mattins begins with the antiphon In pace is idipsum dormiam et requiescam. The psalms of the first nocturn are Pss. 4, 14 & 15. The first lesson from the Lament of Jeremy the Prophet is longer than that found in the later books and has three Caph verses from the third chapter absent in those books. The second lesson has a final verse Zain absent from the later books. The third lesson, the Prayer of Jeremy the Prophet, is also longer and continues Principes manu... nobis quia peccavimus, i.e. the inclusion of vv. 12-16 of the fifth chapter. In the second nocturn the psalms are Pss. 23, 26 & 29. The lessons are taken from St. Augstine's Tract on the Psalms. The fifth and sixth lesson are slightly longer than those found in the post-Clementine books. In the third nocturn the psalms are Pss.53, 75 & 87. The lessons are from the ninth chapter of Hebrews. These are considerably longer than those found in the later books. The text of the ninth lesson Necesse est ergo ... expectantibus se, in salutem, i.e. vv 23-28 is entirely absent from the later books.
Lauds follows immediately beginning with the antiphon O mors, ero mors tua, morsus tuus ero inferne. There are five antiphons sung with Pss. 50, 42, 62-66, Ego dixi & 148-149-150. The antiphon on the Benedictus is Mulieres sedentes ad monunmentum lamentabantur, flentes Dominum. The Benedictus is sung to the same tone 1 chant as the previous two evenings. After the antiphon has been repeated the choir kneels and sings the antiphon Christus factus est pro nobis obediens usque ad mortem. Mortem autem Crucis. Propter quod et Deus exaltavit illum et dedit illi nomen, quod est super omne nomen. After that follows the Miserere and the collect Respice.
Thursday, 12 April 2012
During the late afternoon or early evening of Mandy Thursday Compline is sung followed by Tenebrae . Compline takes the bare form of the other Hours of the Triduum as this morning. Compline begins with the Hebdomadarius reciting the Confiteor followed by rest of the choir responding with Misereatur and then reciting the Confiteor. After Indulgentiam Psalm 4 is recited, without antiphon and without the Lesser Doxology at its conclusion. This is followed by the first six verses of Psalm 30 and Pss. 90 and 133. The Nunc dimittis follows at once, again without antiphon or the Lesser Doxology. After the Canticle the choir kneels and Christus factus est etc is recited, as at the Hours and Vespers this morning, ending with the Miserere and the collect Respice.
The choir altar is not vested and just has six candlesticks containing candles of unbleached wax and the altar cross veiled in black, preferably, or violet. The hearse is set up as it was yesterday evening. The candles on the altar and on the hearse are lit before Tenebrae begins. Mattins begins with the sign of the Cross is made as the cantors intone the first antiphon Astiterunt reges terrae. This is sung in full and then the first psalm Quare fremuerunt gents is intoned by the cantors. The ceremonial is the same as last night. In the first nocturn the psalms are Pss. 2, 21 & 26. The lessons of the first nocturn are from the Lament of Jeremy the Prophet. These are longer than those found in the post-Clement books. The first lesson begins with Aleph but continues with the addition of Lamed, from the second lesson in the later books, after Caph. The second lesson begins with Mem and continues with Phe, Ain and Sade after Samech. The third lesson begins with Aleph (Cap.3) and, has three verses of Daleth, i.e. vv 10-12. In the second nocturn Pss. 37, 39 & 43 are sung followed by lessons from a treatise of St. Augustine on the psalms. These are significantly longer than those found in the modern books. The fourth lesson contains the text of both the modern fourth and fifth lessons. The fifth lesson has the same text as the modern sixth lesson. The sixth lesson, Ut sagittarent ... quasi non praevise, is entirely absent from the later books. In the third nocturn Pss. 58, 87 & 93 are sung followed by lessons from St. Paul' Epistle to the Hebrews. These are longer than those in the post-Clement books. Most of the third lesson is absent from the later books.
Lauds follow immediately. The psalms sung at Lauds are Pss. 50, 142, 62-66, Domine audive and 148-149-150. After each psalm of Lauds a further candle is extinguished so that after the last psalm only the candle on the summit of the hearse is still alight. After the last antiphon is repeated a versicle and response follow. The antiphon on the Benedictus for Good Friday is Posuerunt super caput ejus causam ipsius scriptam: Jesus Nazarenus, Rex Judaeorum. As last night the altar candles are extingished during the singing of the Canticle. The candle from the hearse is hidden. Christus factus est pro nobis obediens usque ad mortem with the addition of the clause Mortem autem crucis. This is followed by a sub-secreto Pater noster and then the Miserere. After the collect Respice the strepitus is made and the choir departs.
Wednesday, 11 April 2012
During the late afternoon of Spy Wednesday Compline is sung followed by Tenebrae . At Compline the psalms still have the Lesser Doxology at their conclusion. The Dominical preces are sung and after the conclusion of the Office Ave regina caelorum is said for the last time this year. Tenebrae is Mattins and Lauds, as usual anticipated, of the following liturgical day but the Office of the Triduum shows signs of antiquity and has developed a ceremonial extinguishing of candles that mimetically represent the desertion of the LORD by his disciples and the days of darkness - hence the name. The choir altar is vested in violet antependia and the Blessed Sacrament removed if It is present on the choir altar. The altar cross is veiled in violet and the candlesticks, the plainest set used on Good Friday, have six lighted candles of unbleached wax. In the sanctuary in about the place where the Epistle is sung is placed the Tenebrae hearse. The hearse, for the Roman rite, bears fifteen lighted candles of unbleached wax.
The choir enters, seniores ante inferiores, and take their places and kneel to say Aperi, Domine and the Triple Prayer sub silentio. When the choir rises the sign of the Cross is made as the cantors intone the first antiphon of Mattins, Zelus domus tuae. This is sung in full and then the first psalm Salvum me fac, Deus intoned by the cantors. In the last verse of the psalm, after the asterisk, the tone changes and the psalm ends, regardless of the reciting tone, with a drop of a fourth. The psalms of the first nocturn are Pss. 68, 69 & 70. At the end of the psalm (the Lesser Doxology is omitted for the Triduum) the lowest candle on the Gospel side of the hearse is extinguished. Then the next antiphon is sung with its psalm etc. After the first three psalms there is a versicle and response and then all stand for a silent Pater noster. During the Triduum there are no absolutions and blessings at Mattins. The lessons of the first nocturn are from the Lament of Jeremy the Prophet. These are longer than those found in the post-Clement books. The first lesson begins with Aleph but continues with the addition of Vau after He. The second lesson begins with Zain and continues with both Jod and Caph after Teth. The third lesson begins with Lamech and, after Nun has the addition of Samech and Ain. A responsory follows each lesson. In the second nocturn, Pss. 71, 72 & 73, the lessons are from a treatise of St. Augustine on the psalms. These are the same as those found in the modern books. In the third nocturn, Pss. 74, 75 & 76, the lessons are from St. Paul to the Corinthians on the foundation of the Holy Eucharist. These are the same as in the post-Clement books. At Tenebrae the Hebdomadarius does not chant the ninth lesson. At the end of Mattins the Tenebrae Hearse has five candles exstinguished on the Gospel side and four on the Epistle side with six remaining candles still burning.
Lauds follow immediately. The psalms sung at Lauds are Pss. 50, 89, 62-66, Cantemus Domino and 148-149-150. After each psalm of Lauds a further candle is extinguished so that after the last psalm only the candle on the summit of the hearse is still alight. After the last antiphon is repeated a versicle and response follow. Then the antiphon on the Benedictus is intoned, for Mandy Thursday this is Traditor autem dedit eis signum, dicens: Quem osculatus fuero, ispe est, tenete eum. The concept of the betrayal of Judas is key to the day. The plainsong for the Benedictus is the haunting tone 1g. During the last six verses each of the altar candles is exstinguished beginning with the outside candle on the Gospel side. All other lamps in the church are now also extinguished. During the repetition of the antiphon the MC takes the candle from the hearse and places it on the mensa at the Epistle corner of the altar. All kneel and the choir now sings Christus factus est pro nobis obediens usque ad mortem. During this antiphon the MC hides the lit candle behind the altar. A Pater noster is now said in a low voice by all and then psalm 50, the Miserere is chanted in a subdued voice. This has been adapted by many composers into polyphonic masterpieces, perhaps the most famous being by Allegri. The Miserere is of course part of the ferial preces of Vespers. After the Miserere the collect Respice is chanted by the Hebdomadarius, still kneeling. Then a strepitus, is made. After the strepitus the MC brings forth the candle and returns this symbol of the light of Christ to the top of the hearse. It either remains there, or is extinguished or, what seems the better practice, is taken by the MC ahead the procession as the choir retires.
Sunday, 8 April 2012
Palm Sunday is a privileged semi-double Sunday. It is the sixth Sunday in Lent and the beginning of Great or Holy Week.
Before Mattins the festive array for the feast of the Annunciation was removed and the altars vested in violet. At Mattins, as last week and daily until the Triduum, the invitatory is Hodie, si vocem Domini audieritis, Nolite obdurare corda vestra from Ps. 94 and a special rubric indicates the omission of that verse in the psalm. The hymn is Pange, lingua. The antiphons given in the Psalter for Sundays are used. As usual Mattins has three nocturns and nine lessons. In the first nocturn psalms 1, 2, 3, 6, 7, 8, 9, 10, 11, 12, 13 & 14 are sung. The lessons in the first nocturn are from the book of Jeremiah. These are the same, as are their responsories, as those found in the post-Clement editions of the Breviary. In the second nocturn psalms 15, 16 and 17 are sung and the lessons are from a sermon on the Passion by St. Leo. The fifth lesson begins with the words Qui ut humanum genus and incorportates what is now the sixth lesson from Fefellit ergo illum.. until famulatae sunt Redemptori. The sixth lesson, Quod ergo...justitiae esse propositum is not found in the 'modern' Breviary. In the third nocturn psalms 18, 19 & 20 are sung and the lessons are a homily of St. Ambrose, their arrangement is slightly different to that found in the modern books. The Te Deum is omitted as on other Lenten Sundays and a ninth responsory, Circumderunt me viri mendaces..., sung in its place.
At Lauds the antiphons are proper to Palm Sunday, Dominus Deusetc, and sung with Pss. 50, 117, 62-66, Benedicite, 148-149-150. The hymn is Lustra sex. The versicle after the hymn Eripe me, chapter, antiphon on the Benedictus and collect are proper to the Sunday.
At Prime the order of psalmody is Pss. 53, 92, 118(i), 118(ii) and Quicumque, the 'Athanasian' Creed. The Dominical preces are sung. At all the Hours the antiphons and chapters are proper.
The Asperges, the magnificent Blessing and Procession of Palms and Mass takes place after Terce. The ministers wear violet folded chasubles. After the Asperges the celebrant and ministers proceed to the Epistle corner and begin the solemn blessing of Palms whilst the choir sing the antiphon Hosanna fili David, O Rex Israel etc. The rubrics give a direction that the Palms to be blessed at the Epistle side. The blessing begins with the celebrant reading the antiphon Hosanna Filio David followed by a collect Deus, quim diligere and then the reading of an Epistle and Gospel. The normal ceremonies of High Mass are followed. The subdeacon removes his folded chasuble to sing the Epistle taken from the Book of Exodus. Following the Epistle two texts are given, Collegerunt pontifices and In monte Oliveti (the latter will appear again as a responsory during the Triduum) to be sung as a 'gradual', both may be sung. Following the Gospel the deacon resumes his folded chasuble and the collect Auge fidem is sung followed by a preface, Sanctus and four further collects Deus, qui dispersa, Deus, qui miro, Deus, qui per olivae and Benedic quaesumus. The presence of a preface is indicative of the solemn blessing (c.f. the great blessing of waters at Epiphany). The collect Deus, qui miro is a didactic masterpiece. Readers will note the strong correlation between the text of the collect and of the second lesson of Mattins for the Saturday before Palm Sunday from St. Augustine:
O God, who, by the wonderful order of Thy disposition, hast been pleased to manifest the dispensation of our salvation even from things insensible: grant, we beseech Thee, that the devout hearts of Thy faithful may understand to their benefit what is mystically signified by the fact that on this day the multitude, taught by a heavenly illumination, went forth to meet their Redeemer, and strewed branches of palms and olive at His feet. The branches of palms, therefore, represent His triumphs over the prince of death; and the branches of olive proclaim, in a manner, the coming of a spiritual unction. For that pious multitude understood that these things were then prefigured; that our Redeemer, compassionating human miseries, was about to fight with the prince of death for the life of the whole world, and, by dying, to triumph. For which cause they dutifully ministered such things as signified in Him the triumphs of victory and the richness of mercy. And we also, with full faith, retaining this as done and signified, humbly beseech Thee, O holy Lord, Father almighty, everlasting God, through the same Jesus Christ our Lord, that in Him and through Him, whose members Thou hast been pleased to make us, we may become victorious over the empire of death, and may deserve to be partakers of His glorious Resurrection.
The celebrant then puts on incense and blesses it. The Palms are then aspersed with lustral water, the celebrant saying in a low voice Asperges me etc, and then censed. Another collect, Deus, qui Filium is then sung. The celebrant then receives his Palm from the senior canon present. If no other priest is present the celebrant kneels and takes the Palm from the of the altar, kisses it then passes it to the subdeacon who places it again on the mensa. The celebrant then gives Palms to the deacon and subdeacon and other ministers and then the people. The Palm is kissed first and then the celebrant's hand. During the distribution the antiphons Pueri Hebraeorum and Pueri Hebraeorum vestimenta are sung. After the distribution the celebrant and ministers go back to the altar, bow to the Cross and then go to the Epistle corner where the celebrant's hands are washed. Then, at the missal, he sings the collect Omnipotens sempiterne.
Holy Week has inspired many great musical compositions. An example of one of the finest for Palm Sunday is Victoria's Pueri Hebraeorum vestimenta, a period piece for the Tridentine rite from Victoria's Holy Week book of 1585.
The celebrant's hands are washed after the distribution of Palms whilst the Processional Cross is decorated with the blessed Palms. A Procession is then formed, led by the thurifer, followed by the subdeacon (of the Mass, not this day an additional subdeacon) bearing the Processional Cross. The deacon sings Procedamus in pace and the following antiphons are sung during the Procession Cum appropinquaret, Cum audisset, Ante sex dies, Occurrunt turbae, Cum angelis et pueris and Turba multa. Ideally, the Procession goes outside and around the church. Often circumstances dictate the Procession must simply go around the aisles of the church. Towards he end of the Procession cantors re-enter the church and the door is closed. The beautiful hymn of Theodolph Gloria, laus, et honor is then sung in alternation between the cantors inside the church and everyone else outside. At the end of the hymn the subdeacon strikes the church door three times with the foot of the Processional Cross and the party re-enters the church to the singing of Ingrediente Domino.
Mass then follows the usual manner. The celebrant removes his cope and dons his chasuble. The preparatory prayers are said but the psalm Judica me is omitted being in Passiontide. The introit is Domine, ne longe etc. There is no Gloria. No commemoration is made of an occuring Office on Palm Sunday so there is only one collect. Psalm 21 is sung in its entirety as a Tract. The major difference from any other Sunday is singing of the Passion according to St. Matthew by three additional deacons of the Passion. The text of the Passion is Matthew 26: 1-75; 27: 1-66. After the singing of the Passion the last part, Altera autem die...lapidem cum custodibus, is sung with the ceremonies of a Gospel by the deacon of the Mass (having removed his folded chasuble etc). The choir and people hold their Palms during the singing of the Passion. The Creed is sung, the preface is of the Cross and the dismissal is Benedicamus Domino sung by the deacon facing the celebrant and altar.
Vespers are of the Sunday. At Compline the Dominical preces are sung. The additional Offices of the Little Office of the BVM, the Office of the Dead, the Gradual Psalms and the Penitential Psalms and Litany are omitted in Great Week.
Saturday, 7 April 2012
The great feast of the Annunciation this year falls on the Saturday before Holy Week. Today is the feast of the Annunciation of the BVM. Today was also kept in England, and some other realms, as New Year's Day. The Good News that the Archangel Gabriel brought to the Virgin was considered the dawn of the age of Redemption and a fitting date on which to celebrate the New Year. The English tax year, beginning on new-style April 6th, marks the 'old' New Year's Day of March 25th when the difference between the Gregorian and Julian Calendars are taken into account. The feast is of double rite and the liturgical colour is white.
This great feast began with first Vespers yesterday morning. The antiphons, Missus est Gabriel Angelus ad Mariam etc., are proper to the feast and were sung with the psalms from the Common of the BVM (Pss.109, 112, 121, 126 & 147). The chapter was proper to the feast, the Office hymn, Ave Maris stella, from the Common. The antiphon on the Magnificat and collect were proper to the feast. After the collect of the feast a commemoration of Friday in Passion Week was sung. At Compline the hymn, Te lucis, was sung with the Doxology in honour of the Incarnation, Gloria tibi Domineetc.
At Mattins the invitatory is Ave Maria gratia plena Dominus tecum. The hymn, Quam terra, antiphons and psalms (with the exception of the ninth antiphon, Angelus Domini etc) are from the Common. In the first nocturn (Pss. 8, 18 & 23) the lessons are from the Prophet Isaiah. These are the same as in the modern editions of the Breviary. The responsories are proper to the feast and are paricularly beautiful. In the second nocturn (Pss. 44, 45 & 86) the lessons are taken from the second sermon on the Nativity by St. Leo. Again, these are the same as those found in the post-Clementine books. In the third nocturn (Pss. 95, 96 & 97) the ninth antiphon is Angelus Domini nuntiavit Mariae etc. The lessons are from a homily by St. Ambrose's second book on St. Luke' Gospel. These are longer than those found in the post-Clementine books. The ninth lesson is of the commemorated Saturday in Passion week, a homily of St. Augustine on St. John's Gospel. Its three lessons, the same as those in the modern books, may be joined and read as one. The Te Deum is sung.
At Lauds the antiphons Missus est etc are sung with psalms 92, 99, 62-66, Benedicite & 148-149-150. The Office hymn is O gloriosa Domina. After the collect of the feast a commemoration of the Saturday in Passion Week is sung.
At Prime and the Hours the hymns are sung with the Doxology of the Incarnation. In the short responsory at Prime the verse Qui natus es is sung and the short lesson is proper to the feast, Egredietur virga de radice Jesse etc. The antiphons of Lauds are used in the normal order at the Little Hours.
Mass is sung after Terce. At Mass the Gloria is sung, the second collect is of the Saturday in Passion Week. The Gospel pericope is from St. Luke and the account of the Angel Gabriel's visit to the Virgin. The Creed is sung, the preface is of the BVM, with the clause Et te in Annuntiatione, and the last Gospel is that of the commemorated Saturday in Passion Week.
Vespers, even of this great feast, are sung before midday. The antiphons and psalms are those sung as at first Vespers. The antiphon on the Magnificat is proper. After the collect of the feast a commemoration of Palm Sunday is sung. At Compline the Dominical preces are omitted.
To those keeping it: A very happy and blessed 2012!
Sunday, 1 April 2012
Passion Sunday is the fifth and penultimate Sunday in Lent. It is a semi-double Sunday and its liturgical colour is violet.
At Vespers, yesterday morning, the antiphons of Saturday, Benedictus etc., were sung with psalms 143, 144, 145, 146 and 147. The chapter, Fratres: Christus assistens Pontifex, was proper to the Sunday, taken from Hebrews. The Office hymn was Vexilla regis. From this Vespers until Trinity the Suffrages are omitted. At Compline the Dominical preces were sung. The Lesser Doxology was omitted in the short responsory.
At Mattins the invitatory is Hodie, si vocem Domini audieritis, Nolite obdurare corda vestra from Ps. 94 and a special rubric indicates the omission of that verse in the psalm. The Lesser Doxology is omitted from Venite for Passiontide in Offices of the Season. The Office hymn is Pange, lingua. The same invitatory and hymn are sung until Spy Wednesday inclusive. The antiphons given in the Psalter for Sundays are sung. As usual Mattins has three nocturns and nine lessons. In the first nocturn psalms 1, 2, 3, 6, 7, 8, 9, 10, 11, 12, 13 & 14 are sung. The psalms retain the Lesser Doxology (until the Triduum) but the third reponsories of each nocturn lose it for Passiontide. The lessons in the first nocturn are the the Incipit of the book of Jeremiah. These are substantially longer than in the modern editions of the Breviary. The first lesson runs from Verba Hieremiae until verse 10, ... et aedifices, et plantes. The second lesson runs from verse 11, Et factum est verbum Domini to verse 16, ...et adoraverunt opus manuum suarum. The third lesson begins with verse 17, Tu ergo accinge lumbos tuos.., and continues until verse 3 of the second chapter, ... mala venient super eos, dicit Dominus. In the second nocturn psalms 15, 16 and 17 are sung and the lessons are from a sermon by St. Leo. These again are longer than those found in the modern editions. In the third nocturn psalms 18, 19 & 20 are sung and the lessons are a homily of St. Gregory, again slightly longer than in the modern books. The Te Deum is omitted as on other Lenten Sundays and a ninth responsory, Quis dabit capiti meo aquam etc, sung in its place.
At Lauds the antiphons are proper to Passion Sunday, Vide Domine etc, and sung with Pss. 50, 117, 62-66, Benedicite, 148-149-150. The office hymn is Lustra sex. The versicle after the hymn Eripe me, chapter, antiphon on the Benedictus and collect are proper to the Sunday. The Suffrages are not sung.
At Prime and the Hours the antiphons are proper, Ego daemonium etc. At Prime the order of psalmody is Pss. 53, 92, 118(i), 118(ii) and Quicumque, the 'Athanasian' Creed. The Dominical preces are sung. At all the Hours the chapters are proper. The Lesser Doxology is omitted from the short responsory at Prime and at those of the other Horae Minores.
Mass is sung after Terce. The ministers wear folded chasubles. In Mass there is no Gloria, the second collect is Ecclesiae for the Church. There is no third collect in Passiontide. A Tract replaces the Alleluia after the Gradual, the Credo is sung and the preface of the Cross is sung. Benedicamus Domino is sung as the dismissal by the deacon facing the celebrant and altar.
Vespers are first Vespers of the double feast of St. Joseph the Betrothed. The antiphons Domine quinque talenta etc are sung with Pss. 109, 110, 111, 112 & 116. The chapter is Beatus vir and the Office hymn is Iste Confessor. The collect is proper to the feast after which a commemoration of the Sunday is sung. At Compline the Dominical preces are omitted because of the double feast as is the Office of the Dead.
Art: Jerome Nadal