May 18th - Sunday within the Octave of the Ascension

Sunday within the Octave of the Ascension is of semi-double rite and its liturgical colour, is white. The theme of Thursday's great feast of the Ascension continues with the majority of the texts used today coming from the feast itself.

At Vespers yesterday afternoon the antiphons for the feast, Viri Galilaei etc were sung, not doubled, with the psalms as sung on the feast (Pss. 109, 110, 111, 112 & 116). The chapter was of the Sunday, the Office hymn for the Ascension, Jesu nostra redemptio, and the antiphon on the Magnificat and collect were both proper to the Sunday. After the collect of the Sunday a commemoration was sung of the Octave. At Compline Te lucis was sung with the Ascension Doxology, Gloria tibi Domine, Qui scandis super sidera, Cum Patre et Sancto Spiritu, In sempiterna saecula. The Dominical preces were omitted because of the Octave.

At Mattins the invitatory is Alleluia, Christum Dominum ascendentem in coelum, Venite adoremus. The Office hymn is Aeterne Rex altissime. In the first nocturn the antiphons Elevata est etc are sung with Pss. 8, 10 & 18. The lessons are the Incipit of the First Epistle of St. John and the responsories are of the feast. The lessons are the same as those found in post-Clementine editions of the Breviary. In the second nocturn the antiphons Exaltare Domine etc are sung with Pss. 20, 29 & 46. The lessons are taken from a sermon on the Ascension by St. Augustine, These are the same as those in the modern editions. In the third nocturn the antiphons Nimis exaltatus etc are sung with Pss. 96, 98 & 102. The homily on the Gospel from John is also from St. Augustine, these are the same as those in the modern editions. The Te Deum is sung.

At Lauds the antiphons Viri Galilaei etc are sung with Pss. 92, 99, 62-66, Benedicite & 148-149-150. The chapter is of the Sunday, the Office hymn is of the Ascension Jesu nostra redemptio. The antiphon on the Benedictus, versicle & respond and collect are proper to the Sunday. After the collect of the Sunday a commemoration is sung of the Octave.

At the Little Hours the hymns are sung with the Doxology of the Ascension. At Prime the festal psalms (Pss. 53, 118i, 118ii) are sung rather than the Dominical ones (117, 118i, 118ii) the short lesson is Si quis loquitur. The Dominical preces are omitted due to the Octave.

Mass is sung after Terce. The Gloria is sung, the second collect is of the Octave. Being a Sunday within an Octave there is no third collect. The Creed is sung and the preface and communicantes are of the Octave.

At Vespers the antiphons Viri Galilaei etc are again sung with Pss. 109, 110, 111, 112 & 116. The chapter is of the Sunday and the Office hymn Jesu nostra redemptio. The antiphon on the Magnificat and collect are of the Sunday. After the collect of the Sunday commemorations are sung of the Octave and of St. Potentiana (Pudentiana). At Compline the Dominical preces are omitted due to the Octave.

Art: Jerome Nadal

May 11th - Fifth Sunday after Pascha

The fifth Sunday after Pascha is of semi-double rite and its liturgical colour is white. The Gospel pericopes from St. John's Gospel describe how the LORD tells His disciples to ask for anything in His name after He has ascended to the Father. Monday, Tuesday and Wednesday of the week ahead are the three days of the Lesser Litanies or Rogation Days.

At Vespers yesterday afternoon the psalms of Saturday (Pss. 143, 144, 145, 146 & 147) were sung under the single antiphon, Alleluia. The Office hymn was Ad cenam Agni providi. After the collect of the Sunday the Paschal Commemoration of the Cross was sung. At Compline (Pss. 4, 30 vv 1-6, 90 & 133) Te lucis was sung with the Paschal Doxology and the Dominical preces were sung.

At Mattins the invitatory is Surrexit Dominus vere Alleluia and the Office hymn is O Rex aeterne Domine. In the first nocturn psalms 1, 2, 3, 6, 7, 8, 9, 10, 11, 12, 13 & 14 are sung under a single antiphon Alleluia, Lapis revolutus etc., the lessons are the Incipit of the first Epistle of St. Peter. The lessons are the same as in the post-Clementine editions. In the second nocturn (Pss. 15, 16 & 17) the lessons are taken from the book of St. Ambrose on faith in the Resurrection. These too are the same as in modern recensions. In the third nocturn (Pss. 18, 19 & 20) the homily is from St. Augustine. The seventh lesson is longer than in modern recensions including Unde qui hoc... nomine non petit from the 'modern' eighth lesson (sharp eyed readers will notice the non). The eighth lesson runs Qui vero quod est de illo ... proculdubio tunc erit plenum, i.e. continuing into half of what is now the ninth lesson. The ninth lesson begins Quidquid ergo petitur and continues for several more sentences absent from the post-Clementine books. The Te Deum is sung.

At Lauds psalms 92, 99 and 62-66 are sung under a single antiphon, the ancient nine-fold Alleluia. Benedicite is sung with the antiphon Surrexit Christus etc, and Pss. 148, 149 and 150 are sung under a single antiphon, a four-fold Alleluia as on previous Sundays. The Office hymn is Aurora lucis rutilat. After the collect of the Sunday the Paschal Commemoration of the Cross is sung.

At the Hours the Office hymns are sung with the Paschal Doxology and the psalms are sung under a four-fold Alleluia. At Prime (Pss. 53, 118i, 118ii) both Quicumque and the Dominical preces are sung.

Mass is sung after Terce. The Gloria is sung, the second collect is Concede nos, the third collect is Ecclesiae. The Credo is sung, the preface is of Paschaltide.

At Vespers the Dominical psalms (109, 110, 111, 112 & 113) are sung under the single antiphon Alleluia. The Office hymn is Ad cenam Agni providi. After the collect of the Sunday a commemoration of the following Office of SS Nereus, Achilleus, Domitilla and Pancras is sung followed by the Paschal Commemoration of the Cross. At Compline (Pss. 4, 30 vv 1-6, 90 & 133) Te lucis is sung with the Paschal Doxology and the Dominical preces are sung.

Art: Jerome Nadal

May 4th - Fourth Sunday after Pascha

The fourth Sunday after Pascha is of semidouble rite and its liturgical colour, from Mattins this year, is white.

Vespers yesterday afternoon were second Vespers of the feast of the Invention of the Holy Cross. The antiphons Helena Constantini mater etc (which are absent from the modern editions) were sung, doubled, with Pss. 109, 110, 111, 112 & 116. The Office hymn was Vexilla Regis prodeunt, sung with the Paschaltide stroph in the sixth verse. After the collect of the feast commemorations were sung of the Sunday and of St. Monica. At Compline (Pss. 4, 30 vv 1-6, 90 & 133) the Dominical preces were omitted due to the double feast.

At Mattins the invitatory is Surrexit Dominus vere Alleluia and the Office hymn is O Rex aeterne Domine as on previous Sundays of Paschaltide. Again, at the nocturns the psalms are sung under a single antiphon. Again, at the nocturns the psalms are sung under a single antiphon. In the first nocturn (Pss. 1, 2, 3, 6, 7, 8, 9, 10, 11, 12, 13 & 14) the lessons are the Incipit of the Epistle of St. James. The lessons are the same as in post-Clementine editions. In the second nocturn (Pss. 15, 16 & 17) the lessons are taken from the Treatise of St. Cyprian on the boon of patience. These too are the same as in modern editions. In the third nocturn (Pss. 18, 19 & 20) the homily is from St. Augustine, again, unusually, the same as in post-Clementine editions. The Te Deum is sung.

At Lauds psalms 92, 99 & 62-66 are sung under the nine-fold Alleluia. Benedicite is sung under the antiphon Surrexit Christus and psalms 148-49-150 are sung under the antiphon Alleluia. The Office hymn is Aurora lucis rutilat. After the collect of the Sunday a commemoration of St. Monica is sung followed by the Paschal Commemoration of the Cross.

At the Hours the Office hymns are sung with the Paschal Doxology and the psalms are sung under a four-fold Alleluia. At Prime (Pss. 53, 118i, 118ii) both Quicumque and the Dominical preces are sung.

Mass is sung after Terce. The Gloria is sung, the second collect is of St. Monica, the third collect is Concede nos. The Credo is sung, the preface is of Paschaltide.

Vespers are of the Sunday, with the psalms (109, 110, 111, 112 & 113) sung under a single antiphon. After the collect of the Sunday the Paschal Commmemoration of the Cross is sung. At Compline (Pss. 4, 30 vv 1-6, 90 & 133) the Dominical preces are sung.

Art: Jerome Nadal

April 27th - Third Sunday after Pascha

The third Sunday after Pascha is of semidouble rite and its liturgical colour is white. It is sometimes referred to as Jubilate from the first words of the introit at Mass, Jubilate Deo omnis terra etc.

At Vespers yesterday afternoon the psalms for Saturday (Pss. 143, 144, 145, 146 & 147) were sung under the single antiphon, Alleluia. The chapter, Carissimi: Christus passus est pro nobis etc, was proper to the Sunday, the Office hymn was Ad coenam Agni providi and the antiphon on the Magnificat was Ego sum pastor ovium.  After the collect of the Sunday the Paschal Commemoration of the Cross was sung. At Compline (Pss. 4, 30 vv 1-6, 90 & 133) Te lucis was sung to the Paschal tone with the Doxology Gloria tibi Domine etc and the Dominical preces were sung.

At Mattins the invitatory is Surrexit Dominus vere Alleluia and the Office hymn is O Rex aeterne Domine as on previous Sundays of Paschaltide. Again, at the nocturns the psalms are sung under a single antiphon. In the first nocturn (Pss. 1, 2, 3, 6, 7, 8, 9, 10, 11, 12, 13 & 14) the lessons are the Incipit of the Book of the Apocalypse. The lessons are the same as in the post-Clementine editions. In the second nocturn (Pss. 15, 16 & 17) the lessons are taken from the a sermon by St. Augustine. These too are the same as in the later editions. In the third nocturn (Pss. 18, 19 & 20) the homily is from St. Augustine. This is, again, the same as in the later editions. The Te Deum is sung.

At Lauds psalms 92, 99 & 62-66 are sung under the nine-fold Alleluia. Benedicite is sung under the antiphon Surrexit Christus and psalms 148-49-150 are sung under the antiphon Alleluia. The Office hymn is Aurora lucis rutilat. After the collect of the Sunday the Paschal Commemoration of the Cross is sung.

At the Hours the psalms are sung under an antiphon consisting of a four-fold Alleluia. At Prime the Dominical psalms Pss. 53, 118i, 118ii and Quicumque are sung as are the Dominical preces. At the Hours the hymns are sung with the Paschal Doxology.

Mass is sung after Terce. The Gloria is sung, the second collect is Concede nos (of the BVM), the third collect Ecclesiae. The Credo is sung and the preface is of Paschaltide.

Vespers are of the Sunday, with Pss. 109, 110, 111, 112 & 113 sung under a single antiphon, Alleluia. The Office hymn is Ad coenam Agni providi. After the collect of the Sunday a commemoration of the following feast of St. Vitalis is sung followed by the Commemoration of the Cross. At Compline (Pss. 4, 30 vv 1-6, 90 & 133) the Dominical preces are sung. At Compline, Te lucis, is sung with the Paschal Doxology and the Dominical preces are sung.

Art: Jerome Nadal

April 20th - Second Sunday after Pascha

The Second Sunday after Pascha is of semi-double rite and its liturgical colour is white.

At Vespers yesterday afternoon the psalms of Saturday (Pss. 143, 144, 145, 146 & 147) were sung under the single antiphon, Alleluia. The chapter, Carissimi: Christus passus est pro nobis etc, was proper to the Sunday, the Office hymn was Ad coenam Agni providi and the antiphon on the Magnificat was Ego sum pastor ovium.  After the collect of the Sunday the Paschal Commemoration of the Cross was sung.  At Vespers this consists of the antiphon Crucem sanctam subiit qui infernum confregit, accinctus est potentia, surrexit die teria, Alleluia. the V & R, Dicite in nationibus, Alleluia and Quia Dominus regnavit a ligno, Alleluia and the collect Deus, qui pro nobis Filium tuum crucis patibulum.  The Commemoration of the Cross is sung at both Vespers and Lauds when the Office if of semi-double rite or below from the Monday after Dominica in Albis. At Compline (Pss. 4, 30 vv 1-6, 90 & 133) Te lucis was sung to the Paschal tone with the Doxology Gloria tibi Domine etc and the Dominical preces were sung.

At Mattins the invitatory and hymn are sung as last Sunday. Again, at the nocturns the psalms are sung under a single antiphon. In the first nocturn (Pss. 1, 2, 3, 6, 7, 8, 9, 10, 11, 12, 13 & 14) the lessons are from the Acts of the Apostles. The first lesson is the same as in modern recensions. The second lesson begins Et exinde but continues Viri fratres...a Pilato , ut interficerent eum. The third lesson begins Cumque consummasssent omnia and continues for several additional verse ending with Quem vero Deus suscitavit a mortuis, non vidit corruptionem. In the second nocturn (Pss. 15, 16 & 17) the lessons are taken from the first sermon on the Ascension of the Lord by St. Leo. These are the same as in the later editions. In the third nocturn (Pss. 18, 19 & 20) the homily is from St. Gregory, again the text is the same as in the post-Clementine editions.

At Lauds psalms 92, 99 & 62-66 are sung under the nine-fold Alleluia. Benedicite is sung under the antiphon Surrexit Christus and psalms 148-49-150 are sung under the antiphon Alleluia. The Office hymn is Aurora lucis rutilat. After the collect of the Sunday the Paschal Commemoration of the Cross is sung. The antiphon for the Commemoration at Lauds is Crucifixus surrexit a mortuis, et redemit nos, alleluia, alleluia. The V & R and collect are the same as those that are sung at Vespers.

At the Hours the hymns have the Paschal Doxology. The psalms are sung under an antiphon consisting of a four-fold Alleluia. At Prime (Pss. 53, 118i, 118ii) both  Quicumque and the Dominical preces are sung.

Mass is sung after Terce. The Gloria is sung, the second collect is Concede nos, the third collect is Ecclesiae. The Creed is sung and the preface is that of Paschaltide.

Vespers are of the Sunday, with Pss. 109, 110, 111, 112 & 113 sung under a single antiphon. After the collect of the Sunday the Commemoration of the Cross is sung. At Compline (Pss. 4, 30 vv 1-6, 90 & 133) the Dominical preces are sung.

Art: Jerome Nadal